PATRIOT Act Unleashed on Biotech Activists
Authorities are pursuing a Kafkaesque terrorism case against
Steven Kurtz - an art professor promoting public education on the biotechnology
industry. The evidence: a mobile kit for detecting GMOs in food, and three cultures
of harmless bacteria.
In the early morning hours of May 11th, Steven Kurtz, a professor of art at
the university of Buffalo, awoke to find his wife, Hope, had suffered a cardiac
arrest and died in her sleep. Kurtz called the emergency services. The police
arrived, but after stumbling across some test tubes and petri dishes in the
house, they called in the Joint Terrorism Task Force. Soon agents from the Task
Force and FBI detained the shocked professor, cordoning off the entire block
(Kurtz walked away the next day on the advice of a lawyer, his detention
having proved to be illegal). The Buffalo Health Department condemned the house
as a health risk and, over the next few days, dozens of agents in protective
suits, from a number of law enforcement agencies, sifted through Kurtz's work,
analyzing it on-site and impounding computers, manuscripts, books, equipment,
and even his wife's body for further analysis. Only after the Commissioner of
Public Health for New York State had tested samples from the house and announced
there was no public safety threat was Kurtz able to return home and recover
his wife's body. However, the FBI has still not returned any of his equipment,
computers or manuscripts, nor given any indication of when they will.
Kurtz is a member of the internationally-acclaimed Critical Art Ensemble (CAE),
an artists' collective that produces artwork to educate the public about the
politics of biotechnology. The equipment seized by the FBI, and which triggered
the Kafkaesque chain of events, consisted mainly of CAE's most recent project,
Free Range Grains. This is a mobile DNA extraction laboratory to
test store-bought food for possible contamination by genetically modified grains
and organisms. Such equipment can be found in any university's basic biology
lab and even in many high schools.
Kurtz was also in the midst of researching the issue of biological warfare
and bioterrorism, to assess the actual danger these weapons pose and to bring
U.S. policy on such threats into public dialogue. To do this research, he had
many books on the subject and had legally acquired three harmless types of bacteria
commonly used as educational tools in schools and biology departments: bacillus
globigii, serratia marcenscens and a benign strain of e.coli. Harmless to humans,
bacillus globigii is extremely common and found easily in samplings of wind-borne
dust. A household bleach-and-water solution easily kills it. Serratia marcescens
is another harmless, common microbe which lives in soil, water, on plants, and
in animals. It is distinguished by bright red color and may grow on bread and
other edibles stored in a damp place. Because this microbe is so common, because
of its bright hue and because it used to be considered benign, scientists and
teachers frequently used it in experiments to track microbes and to demonstrate
the importance of hand washing. E. coli, a well-known intestinal flora, is one
of the most widely used bacteria in biological laboratories. There are many
different strains; some that receive periodic attention in the media are responsible
for food-borne illnesses. This is very distant from the particular strain found
in Kurtzs possession. What he had is a variation of the benign form found
in our stomachs, which had been even further disarmed by laboratories.
While most observers assumed the Task Force would realize that its initial
investigation was a terrible mistake, a further suprise came last week when
eight of Kurtz's colleagues were subpoenaed to appear before a federal grand
jury that is now considering bioterrorism charges against him. Two of them
Beatriz da Costa and Steve Barnes, who are also members of CAE were served
the subpoenas by federal agents who tailed them to an art show at the Massachusetts
Museum of Contemporary Art. According to the subpoenas, the FBI is seeking charges
under Section 175 of the US Biological Weapons Anti-Terrorism Act of 1989, which
has been expanded by the USA PATRIOT Act. As expanded, this law prohibits the
possession of any biological agent, toxin, or delivery system without
the justification of prophylactic, protective, bona fide research, or
other peaceful purpose.
The Art and Science of...
But even under the expanded powers of the USA PATRIOT Act, it is difficult to
understand how anyone could view CAE's art as anything other than a peaceful
purpose. In a time when there is no public authority willing to protect
and inform citizens against the interests of corporations (in the case, the
GM food industry) and when millions of U.S. taxpayer dollars are being rerouted
toward a militarization of public health research, art has become a place where
issues can be brought into public light, understood and discussed. Many artists
and activists are currently training themselves in science and technological
methods in order to better inform audiences of the processes affecting their
health, their choices and their lives. While not pretending to be scientists,
they are performing precisely the kind of prophylactic, protective bona
fide research which make it legal and permissible for a U.S. citizen to
possess biological agents.
According to the CAE, the majority of the population does not realize
they are part of an immense unregulated experiment. All foods containing corn,
soy or canola are genetically modified, unless they are labeled organic. When
the industry states that there are no studies on these products indicating harm
to human health, what they are saying is that there are no studies. The one
bona fide independent study conducted did suggest damage to the intestines and
other organs of rats. This study basically ended the 36 year career of
Dr. Arpad Pusztai at the Rowett Research Institute in Scotland. Days after he
spoke publicly of his findings in August 1998, Dr. Pusztai was removed from
service, his research papers were seized, and his data confiscated; and he was
prohibited from talking to anyone about his research work. The GM corn, soy,
canola, and cotton were engineered to resist herbicides sold by the same companies
selling these seeds, and/or contain a bacteria toxic to pests that feed on the
crop. These traits were marketed to produce higher profits for the companies
that control them as intellectual property; they were not about nutrition or
flavor or even increased crop yield. Claims that the GM products would reduce
the use of pesticides and herbicides in the field (and incidental claims that
they would produce higher yields) have proven to be false.
The artists involved are at a loss to explain the increasingly bizarre case.
"I have no idea why they're continuing (to investigate)," said Beatriz
da Costa, an art professor at the University of California at Irvine and one
of those subpoenaed. "It was shocking that this investigation was ever
launched. That it is continuing is positively frightening, and shows how vulnerable
the PATRIOT Act has made freedom of speech in this country."
The grand jury first convened on June 15th. All of the CAE members and people
who worked directly with it took advantage of their 5th amendment right to refuse
to testify. Outside the courthouse in downtown Buffalo, about 200 people participated
in a demonstration. Protest representatives came from places as varied as Chicago,
Pittsburgh, and New York City, including university professors, students, artists,
and concerned citizens. The FBI is continuing to subpoena witnesses for further
grand jury hearings continuing at least until June 29th. The case continues
this week, and activists point out that even if no indictment transpire, the
case will cripple the CAE due to the enormous legal fees that they need to spend
in their defense.
Support Steven Kurtz
The Critical Art Ensemble's defense fund is calling for donations, legal support,
letter writing campaigns and any other help they can get. For details see http://www.caedefensefund.org/
Also check out the CAE website for an overview of their many projects and campaign materials available for downloading: http://www.critical-art.net/